Going into The 4th, I didn't know what to expect. I knew it was about a guy getting lighter fluid, but certainly there must be more than just that? Right? Kinda, but kinda not.
The film is directed by, written by, produced by, and stars Andre Hyland as a guy who forgot to pick up his lighter fluid for his Fourth of July party he is having and doesn't want to go back to the store to pick it up, because it's too long to walk back and too short to drive, especially because he has the perfect parking spot. So he borrows his roomate's bicycle and begins an epic journey of mediocrity and adventure. He meets up with assholes of all shapes and sizes, and eventually makes it home.
This movie was remarkable, because it took something as simple as going to back to a convenience store and turned it into something bigger — not with the usual tropes of high action or overly quirky happenstances, but just the minor inconveniences that, when piled upon each other, make your day so very, very, hard. There are so many recognizable types of people in this movie that we all have had the displeasure of meeting: the guy who is 100% right all the time, the girl who thinks she's God's gift to the Earth, or even the guy who thinks people who are just irritated are completely losing their cool, even though they aren't, everything is fine and they just need to back the hell off! HENRY! It became hard to watch in some moments, because the main character was having such a bad day that you wanted to yell and swear at every person he met.
The director did a great job at making you feel like you were there with the main character, living through all the terrible people that exist. I found my leg shaking in irritation because I was so invested in his struggle. Andre himself was a decent actor as Jamie, a guy just trying to get lighter fluid and get home for his party. He himself had little to decent characterization to him. He was just a guy, which was good and bad: in one way, it allowed the viewer to put ourselves in his shoes and feel like we were there, wondering what we would say in those moments. But it also made him occasionally feel flat. I wanted to know more about his opinions and feelings and drives. I wanted him to be more sarcastic. At first I felt like this movie had a similar feel to Clerks. It's a low budget film about guys who get dumped on by the dregs of society, but the difference is that the Clerks guys were strong characters with strong emotions and feelings towards movies (and Death Star construction workers). Andre was irritated and hated everything that happened around him and to him, but he mostly just let things roll off of him and didn't do anything about it. There is a moment of redemption after the credits — I won't ruin it for you, but it does strengthen his character.
What really made the movie was the overall feel. With great music, and well-crafted shots that still felt indie and homemade but not jittery and distracting. Plus it really did feel like an Odyssey, with the Hero who leaves on a great adventure in honor of his homeland who gets stranded and must face various adversaries to be able to return home to his loved ones. Each jerk he met who gave him problems felt small, but somehow epic at the same time. Each one felt both familiar and totally unrecognizable. I find it most fascinating that it is all taking place on the Fourth of July, a day where we recognize our own homeland and have pride in our patriotism. There are many other similarities between Odysseus and Jamie that kept popping up as I watched the movie that made really enjoy the movie, but I won't spoil them all here.
The main character might be lacking in some ways, but the movie itself is a fun modern day epic of minimal proportions. It's well worth checking out when it comes to theaters and DVD. And Andre himself would be one I'd want to keep an eye out for in the future. His talent as a director is strong in this movie, as shown by its ability to entertain on such a small budget and his understanding of what is funny to audiences. I'd love to see more minimalist epics in the future. It seems like an untapped resource in our modern filmmaking society.